First review board within 3 business days · Fixed scope, fixed price
Fixed scope
On-time delivery
Senior crew only
Unlimited revisions in scope
★★★★★4.9 average from agency partners
✓Working since 2018
✓120+ shipped projects
VFX · Motion design · 3D · Compositing · Color · Finishing
4.9
Trusted by agency partners
End-to-end VFX pipeline for studios, agencies, and brands
Why studios choose Kiosk VFX
Studio-grade VFX without the studio overhead.
Stop choosing between freelance flake and big-studio invoices. Pick the tab that matches your concern — see exactly how Kiosk VFX solves it.
On-time delivery, every time.
Missed deadlines push your release date and burn your team. Kiosk VFX runs a senior-led pipeline with realistic dailies and built-in buffer — so your final EXR lands when it should, not three weeks later.
"They locked our delivery date on day one and hit it. That never happens."
— Senior producer, streaming series
✓
Predictable delivery
Daily review links, weekly cuts, and a fixed delivery window. You see every iteration — never wonder where the work stands.
A vague brief means a moving target. We turn your reference deck into a written shot breakdown and treatment in 48 hours — so producers, directors, and clients see the same plan before a single frame is rendered.
"The treatment they sent on day two was sharper than the brief we wrote ourselves."
— Creative director, agency
✓
Treatment in 48 hours
Shot breakdown, look references, deliverable list, and a fixed-bid quote — all in writing before kickoff. Revisions are itemized, not invented mid-project.
Stop juggling separate vendors for VFX, motion, comp, and color. We handle the full pipeline in-house — from creative call to broadcast deliverables — so accountability never gets passed off.
"One contact, one bill, one delivery date. Everything just worked."
— Head of post, agency
✓
Full pipeline, in-house
Visual effects, motion design, compositing, 3D, and color finishing — all senior-led, all under one roof. Deliverables formatted for streaming, broadcast, and festival.
Studio-grade tools, senior artists on every shot, and color management from plate to deliverable. No junior-only crews, no offshore hand-offs, no "we'll figure it out in comp."
"Their dailies looked like our final masters. The quality bar starts at the top."
— VFX supervisor, broadcast spot
✓
Studio-grade pipeline
ShotGrid for tracking, Nuke and Houdini for the heavy lifting, ACES color from end to end. The same toolchain the big studios use — without the big-studio overhead.
Get studio-grade VFX without the studio-grade overhead.
Stop choosing between cheap and reliable. Partner with a senior-led VFX team built for studios, agencies, and brands that need the work to ship on time.
How we stack up against in-house and traditional studios
Stop choosing between freelance flake and big-studio invoices. We deliver senior-led work at a price that fits an agency or in-house budget.
12 studios trust us this month
Kiosk VFX
0/6
Senior-led + on time
Big studios
0/6
High overhead
Freelance only
0/6
No safety net
✓
6/6 Studio standards met
Kiosk VFX
Senior-led12+ years ✓
Big studios
Mixed teamsSenior reviews only
Freelance only
Solo artistSingle point of failure
Every shot gets a senior compositor or supervisor. Big studios layer juniors under a single senior; freelancers are flying solo when something goes wrong.
Quality bar:
SP
"Their dailies looked like our final masters." — VFX supervisor, broadcast spot
We run ACES from plate ingest to broadcast deliverable, so the master matches what you saw in dailies. A "cheap" deliverable without color management costs you in the QC pass.
Color fidelity:
HP
"The HDR conform passed broadcast QC first try." — Head of post, agency
